Flavorwire

It’s certainly no coincidence that Uncle Charlie (Matthew Goode), the enigma at the center of Park Chan-wook’s Stoker, shares the name of the murderous uncle in Hitchcock’s classic Shadow of a Doubt. That’s not all the films have in common; both take place in seemingly idyllic, isolated communities (the family’s house is less a home than an island), and leave us with the impression that quiet evil can lurk behind every door and around every corner. But from an emotional standpoint, Stoker is like an inversed Shadow. In that film, a young woman who loves her uncle unlocks his past and is repulsed. In this one, a young woman who loathes her uncle unlocks his past, and responds with a bit more moral ambiguity.

View original post 545 more words

Advertisements

Leave a comment

Filed under Uncategorized

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s